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Magic and Mess: The Artist’s Studio Revealed

This beautiful catalogue, which accompanies a major exhibition at Leighton House, will explore the theme of the nineteenth-century artist’s studio.

 

Magic and Mess: The Artists Studio Revealed explores the myth and reality of the artistsstudio in Europe through the long nineteenth century. Featuring works from the unrivalled Katrin Bellinger Collection and Leighton House, this richly illustrated catalogue features both famous and little-known artists and includes essays by leading scholars. Through essays and catalogue entries, the book explores the role of the studio, as both a practical space for artmaking and a constant source of inspiration to artists and writers.

 

Themes covered include the opulent and humble studio; the palette and pigment sets as symbols of the artist; the rise of the female model; the use of plaster casts, mannequins, prints, photographs and drawings; the contrast between the romantic fires of inspiration and the cold bohemian stove; innovations in window design and lighting; the emergence of the corner of the studio as a privileged zone, taking inspiration from Émile Zolas cult of the corner, and from Lawrence Alma-Tademas In My Studio (1893), which belonged to Frederic Leighton and has recently been acquired by Leighton House.

Magic and Mess: The Artist’s Studio Revealed

£30.00Price
  • October 2026

    ISBN: 978-1-917976-16-9

    Paperback, 275 x 225 mm

    176 pages, approx 120 illustrations

     £30 / €35 / $40

  • Exhibition

    Leighton House, London

    31 October 2026 – 21 March 2017

  • About the authors

    James Hall has published extensively on related topics and is the author of the ground-breaking book The Artists Studio: a Cultural History (Thames & Hudson, 2022), already a standard work on the subject. (A Times Best Art Book of 2022)

    Anita Viola Sganzerla is Curator of the Katrin Bellinger Collection and has published extensively on the theme of the artist at work. She is a specialist of Early Modern works on paper.

    Rachel Esner is Associate Professor Modern and Contemporary Art at the University of Amsterdam and a specialist in French art and photography of the late nineteenth century.

    Isabelle Sagraves is a PhD candidate at University College London and Curatorial Assistant at the Katrin Bellinger Collection.

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